The best tune that utilizes circle progressions is the A section of Autumn Leaves. The best way to practice these chords is by playing them using smooth voice leading in circle progressions. How To Practice Drop 2 Voicings In All Keys Get instant access to Premium Jazz Lessons here.īefore moving to the next tip, practice and learn the chord voicings above in all 12 keys. You can find the perfect jazz piano growth plan. That way players of all levels can improve their chops without having to play stuff that’s too easy or too hard. Inside Premium Jazz Lessons, you can learn 3 full arrangement levels of every song. Speaking of Thelonious Monk, if you want to learn some of his greatest hits I highly recommend Premium Jazz Lessons Elite Membership. LH Root + flat 5th 2 half steps RH Perfect 4th LH Root + 5th 2 half steps RH Augmented 4th “Ruby, My Dear” Minor 7(b5): Cm7(b5) LH Root + 5th 2 half steps RH Perfect 4th “Ruby, My Dear” Dominant 7: C7 LH Root + 5th 3 half steps RH Perfect 4th “Ruby, My Dear” Minor 7: Cm7 Let’s look at “Ruby, My Dear” voicings for Cmaj7, Cm7, C7, and Cm7(b5): “Ruby, My Dear” Major 7: CMaj7 This is because they are always in root position. The amazing thing about Thelonious Monk’s drop 2 voicings is that they are simpler to play. This formula works on any chord and can be used for jazz, blues, rock, and pop. If you look at these voicings carefully, they’re actually drop 2 versions of 2nd inversion chords. Play 7th (or 6th) and 3rd with the right hand.The “Ruby, My Dear” formula for playing drop 2 voicings is: Look at the first few measures of the tune to see how he used them to great effect to go from one key to another: Read on.Ĭheck out this studio recording of “Ruby, My Dear”: To make things easier, here’s another way of looking at these chord voicings. That’s the reason why we call them drop 2 voicings, You were able to play both drop 2 voicings by simply dropping the 2nd highest note of any 4-note chord an octave lower. Why Do We Call These Chords Drop 2 Voicings? Once you’ve done that, you’ll now have the building blocks for many drop 2 voicings. Practice these voicings and learn them in all 12 keys. LH diminished 5th 2 half steps RH Perfect 5th Our drop 2 minor 7th (b5) chord voicing formula then is as follows: To turn this into a drop 2 voicing, play Gb and C with the left hand and Eb and Bb with the right: LH Perfect 4th 3 half steps RH diminished 5th Basic Minor 7 (b5) Drop 2 Voicing Our drop 2 dominant chord voicing formula then is as follows: The C7 chord that’s in a drop 2 voicing has G and C for the left hand and then E and Bb for the right hand: The C7 chord has the notes C, E, G, and Bb: LH Perfect 4th 2 half steps RH Perfect 5th Basic Dominant Chord Drop 2 Voicin g Our drop 2 minor chord voicing formula then is as follows: Now try playing the same chord as G and C using the left hand and then Eb and Bb for the right: LH Perfect 4th 3 half steps RH Perfect 5th Basic Minor Chord Drop 2 Voicing Our drop 2 major chord voicing formula then is as follows: Now the chord sounds more sophisticated already. Play G and C with the left hand then E and B with the right hand like this: Let’s revoice that one-handed chord into a more exciting two-handed version. Sounds nice, right? True, but it’s rather ordinary. Normally a Cmaj7 chord has the notes C, E, G, and B: Our first set of voicings is based on root position chords. They would depend on the kind of chord you are playing. These intervals could be in their perfect, augmented, or diminished forms. That’s because fourths and fifths are the shapes that serve as building blocks for drop 2 voicings. To learn all of these voicings you only need two intervals: fourths and fifths. With these two-handed drop 2 chord voicings, you’ll sound really hip, especially in jazz and blues. In this lesson, you’re going to learn a quick way to get those drop 2 voicings under your fingers. Want to move away from your ordinary triads in your comping? Would you like to learn a fast and easy way to use drop 2 voicings?
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